|Full album download - MP3||$10||Add to cart|
|Full album download - AAC||$10||Add to cart|
|Full album download - Apple Lossless (ALAC)||$14||Add to cart|
|Full album download - FLAC||$14||Add to cart|
MP3 – The most widely-supported format.
AAC – Works in iTunes (PC & Mac). Better sound than MP3.
Apple Lossless (ALAC) – CD quality, for Apple/iOS devices
FLAC – CD quality, for Windows/Android devices
More about formats here.
Orquesta La Moderna Tradición continues to produce some of the finest danzón-charanga dance material anywhere….Gorgeous.
Bruce Polin, review at the late, lamented Descarga.com*
En Canto is the third recording by Orq. La Moderna Tradición (“The Modern Tradition Orchestra”), a 10-piece charanga orchestra – essentially, a type of Cuban salsa band with violins and flute instead of trumpets and trombones. I was a founding member and played with them for fifteen years.
While our first two CDs were comprised of instrumental versions of classic Cuban danzón and cha-cha-cha, En Canto includes songs with lead vocals by Eduardo Herrera.
En Canto is the first album-length recording I engineered and mixed (in addition to playing piano and singing background vocals). It was all done in my little house in Oakland.
CD-quality downloads are available here exclusively.
Eduardo Herrera – vocals
Tregar Otton – violin
Sandy Poindexter – violin
Chus Alonso – flute
Don Gardner – clarinet
Bob Karty – piano, background vocals
Steve Senft-Herrera – bass
Michael Spiro – congas, vocals (track 2)
Carlos Caro – timbales, percussion, background vocals
Sage Baggott – guiro, percussion, background vocals
Recorded by Bob Karty except for rhythm section on Cenizas and Canta La Ceiba, recorded by Jeff Cressman.
Edited and mixed by Bob Karty.
Mastered by Ken Lee.
Produced by Tregar Otton, Michael Spiro, and Bob Karty.
* For over 20 years, Descarga.com was the premier source for recordings of Afro-Cuban and related Afro-Caribbean music and a treasure trove of information about this rich musical world. Descarga‘s web site, catalog, and newsletters offered reviews and recommendations from respected figures in the field and in-depth interviews with artists, producers, and scholars. Sadly, it couldn’t keep up with the age of streaming, as it relied on sales of CDs and DVDs.